Hierarchical music representation for composition and analysis
Identifieur interne : 000E96 ( Main/Exploration ); précédent : 000E95; suivant : 000E97Hierarchical music representation for composition and analysis
Auteurs : Alan Smaill [Royaume-Uni] ; Geraint Wiggins [Royaume-Uni] ; Mitch Harris [Royaume-Uni]Source :
- Computers and the Humanities [ 0010-4817 ] ; 1993-01-01.
English descriptors
- KwdEn :
- Teeft :
- Abstract data type, Abstract data typing, Alan smaill, Analysis procedure, Analysis program, Artificial intelligence, Basic pitch representation, Basic representation, Chord sequences, Collection constituent, Constant number, Constituent, Constituent mechanism, Data type, Different representations, First example representation, Formal models, Functional programming language, Geraint wiggins, Hierarchical, Hierarchical music representation, Identifier, Integer numbers, Internal structure, International computer music conference, Logic programming language, Many cases, Mitch harris, Modal transposition, Monophonic phrases, Mtf2, Mtfl4, Musical analysis, Musical events, Musical information, Musical material, Musical structures, Musical type, Onset time, Onset times, Other occurrences, Output constituents, Particular style, Phrase mtfl4, Programming language, Prolog, Prolog database, Representation system, Ruwet, Search space, Similarity, Solo flute, Special status, Stream constituent, Stream constituents, Structural information, Structural type, Syrinx, Tonal system, Transposition, Transposition similarities, Unique identifier, Wiggins.
Abstract
Abstract: In this paper, we present intermediate results of continuing research into the utility of generalised hierarchical structures for the representation of musical information. We build on an abstract data type presented in Wigginset al. (1989), usingconstituents, which are structurally significant groupings of musical events. We suggest that a division into such groupings can be musically meaningful, and that it can be more flexible than similar approaches. We demonstrate our representation system at work in both analysis and composition, with output from computer programs. We conclude that it is possible and useful to represent music in a way independent of the particular style, tonal system, etc., of the music itself.
Url:
DOI: 10.1007/BF01830712
Affiliations:
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transposition</term><term>Monophonic phrases</term><term>Mtf2</term><term>Mtfl4</term><term>Musical analysis</term><term>Musical events</term><term>Musical information</term><term>Musical material</term><term>Musical structures</term><term>Musical type</term><term>Onset time</term><term>Onset times</term><term>Other occurrences</term><term>Output constituents</term><term>Particular style</term><term>Phrase mtfl4</term><term>Programming language</term><term>Prolog</term><term>Prolog database</term><term>Representation system</term><term>Ruwet</term><term>Search space</term><term>Similarity</term><term>Solo flute</term><term>Special status</term><term>Stream constituent</term><term>Stream constituents</term><term>Structural information</term><term>Structural type</term><term>Syrinx</term><term>Tonal system</term><term>Transposition</term><term>Transposition similarities</term><term>Unique identifier</term><term>Wiggins</term></keywords></textClass><langUsage><language ident="en">en</language></langUsage></profileDesc></teiHeader><front><div type="abstract" xml:lang="en">Abstract: In this paper, we present intermediate results of continuing research into the utility of generalised hierarchical structures for the representation of musical information. We build on an abstract data type presented in Wigginset al. (1989), usingconstituents, which are structurally significant groupings of musical events. We suggest that a division into such groupings can be musically meaningful, and that it can be more flexible than similar approaches. We demonstrate our representation system at work in both analysis and composition, with output from computer programs. We conclude that it is possible and useful to represent music in a way independent of the particular style, tonal system, etc., of the music itself.</div></front></TEI><affiliations><list><country><li>Royaume-Uni</li></country><region><li>Écosse</li></region></list><tree><country name="Royaume-Uni"><region name="Écosse"><name sortKey="Smaill, Alan" sort="Smaill, Alan" uniqKey="Smaill A" first="Alan" last="Smaill">Alan Smaill</name></region><name sortKey="Harris, Mitch" sort="Harris, Mitch" uniqKey="Harris M" first="Mitch" last="Harris">Mitch Harris</name><name sortKey="Harris, Mitch" sort="Harris, Mitch" uniqKey="Harris M" first="Mitch" last="Harris">Mitch Harris</name><name sortKey="Smaill, Alan" sort="Smaill, Alan" uniqKey="Smaill A" first="Alan" last="Smaill">Alan Smaill</name><name sortKey="Wiggins, Geraint" sort="Wiggins, Geraint" uniqKey="Wiggins G" first="Geraint" last="Wiggins">Geraint Wiggins</name><name sortKey="Wiggins, Geraint" sort="Wiggins, Geraint" uniqKey="Wiggins G" first="Geraint" last="Wiggins">Geraint Wiggins</name></country></tree></affiliations></record>Pour manipuler ce document sous Unix (Dilib)
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